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Philip Glass - Metamorphosis | complete

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Philip Glass - Metamorphosis (1988) I made this record using an old amazing (one of my favorite instrument actually) Steinway & Sons model O grand piano. (Steinway officially stopped production of the Model O in 1924, but I guess this one was built around 1925-1926 according to serial number) "Metamorphosis One" – 00:00 "Metamorphosis Two" – 06:54 "Metamorphosis Three" – 13:59 "Metamorphosis Four" – 19:09 "Metamorphosis Five" – 26:29 /// Starting today, Metamorphosis are available in all major streaming services* Listen / Love / Share: https://album.link/T6mHCbPks7X4w "Metamorphosis", refers to and was inspired by the 1915 short story The Metamorphosis by Franz Kafka. While all pieces were written in 1988, some were written for a staging of Metamorphosis, while others were for a documentary film called The Thin Blue Line directed by Errol Morris. "Metamorphosis One" is played in an episode of Battlestar Galactica by Kara "Starbuck" Thrace. Within the narrative, her father composed and performed the piece. It is also played in the series finale of Person of Interest, Return 0. "Metamorphosis Two" formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. *I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place. #Coversart

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@coversart
Starting today, *Metamorphosis* are available in all major streaming services Listen / Love / Share: https://album.link/T6mHCbPks7X4w I prepared this release to celebrate 4 million streams of this composition in my interpretation on Youtube (a bit late though, because the number of views has grown since then). After several unlucky attempts to make this recording on different instruments and in different studios I returned to the same living room and the same piano - Steinway & Sons model O made in 1926. I can not possibly explain this, but despite all the obvious technical obstacles that stand before you while recording in a regular room, with all the uncontrolled reflections, with the old piano in poor condition which makes you suffer a lot, with all the additional vibrations, rattling strings, hammers that require voicing, with a creaking chair - it turns out to be exactly how I perceive this music. So, one piano, 2 microphones, beloved Philip Glass, and my personal story with the place where this record session took place.
327 likes
@victormorgado5318
In 1980 I worked selling toe shoes for ballet dancers in New York City. One Saturday morning this guy comes in and asked for some shoes for his daughter's ballet class. We engaged in conversation about music and he invited me to see him play the piano the next day afternoon in a concert to raise funds for Tibet. It was in a church around the store where I worked. That is how I met Philip Glass. Ironically what impacted me when I saw him arriving on stage that Sunday afternoon, was that he was wearing old blue jeans and a working man's shirt. It was a total new way for me to be around a "classical" environment
3796 likes
@codykimmel
I'm a cancer patient, and discovering these works and buying the piano score has brought me unbelievable joy. I can play each piece exactly as I want to, to reflect my joy, my creativity. When I'm playing the Metamorphis series, I am transported. I am in another place - a place of pure creativity driven by emotion. I could never feel sorry for myself when I am able to enjoy such beauty, and know what it feels like to experience playing Glass to calm the mind and the soul.
86 likes
@robertmoore9965
Played this to my mother who is in a hospice with late stage cancer, she had the night terrors and couldnt sleep, even with heavy medication. She slowly slipped off into a deep sleep half way through, with a faint smile on her face. Thankyou coversart.
1771 likes
@aminzargarian6627
master of repetitions. if art could mimic the repetitiveness of being alive it’d be a clause on a sheet written by Glass. the irony is you can repeatedly listen to this and still want to listen again like you never stop repeating a breath. Thank you Mr Glass.
258 likes
@jorgebarcelo7716
This is by far the best cover performance of Metamorphosis on the net.
84 likes
@isaactarica
Hi , I m a Sonographer MD and every day I begin in my offices with this piece, my patients thanks me for the music and I thank you. Some times my work it is not about "good news"Β· but the music helps me to create an atmosphere of care. We need more concerts in the hospitals and less TV !!!
431 likes
@stacylee2775
I met him in person he’s shy, brilliant and humble. I attended a 3 day Philip Glass event 5 years back. Such an honor to met him and he shook my hand. All of the people in the room didn’t even know anything about him. He literally walked past a lot of people to use the men’s restroom. I was waiting for my boyfriend who was in the restroom at the same time. He was so humble and kind. ❀
40 likes
@Jimpassarotri
I've been listening to Philip Glass since 1982, but your pace really moved me. Thank you. You're one of the few people who give each note its time and space . Especially the space between the notes.
125 likes
@pmcdonough77
Hauntingly beautiful and calming, was driving home late last night from work and came across this on the radio, parked in front of my house until it was over, couldn't stop listening to it.
138 likes
@ritaangelicasales6557
Absolutely admirable. It's like I can feel the pain of the metamorphosis in me at the same time of observe the relief of transformation. Art and music have their way of touching the soul as we need it
72 likes
@wouldntyouliketoknow8904
I discovered his music in 2008 when I was 14. On an autumn afternoon, It was a very overcast rainy day in Los Angeles and I looked out my window to see the skyline gradually disappear into the dense rainy clouds. The rain was cold and when I opened the window I can smell it and feel the gusts of wind blowing in. Again, I listened to this album in Washington D.C. and Virginia on a very grey and rainy afternoon as I rode past the Potomac river and all the large government buildings - the music emphasizing the gravitas of their brutalist architecture. But for some reason it made me think of rainy days in New York before 9/11. So grey, cold, wet and melancholy, yet so beautiful and ethereal. A chilly nostalgia rains on me when I listen to this.
100 likes
@mirrorimage5423
Asked to write a piece that never ends, Glass nailed it.
31 likes
@margaretfarquhar9567
The right hand asking the question The left hand answering The left hand asking The right answering
94 likes
@Bernard-fo2qo
It's like a butterfly coming out of a cocoon. Stretching it's wings, getting ready to fly.
6 likes